So, Marta: When or how did you first come to be aware of the various sensitivities around “cultural trespass” (as it were)?
In college in the 1980’s I was reading a lot of black women writers and poets – do you remember But Some of Us Are Brave: All the Women are White, All the Blacks are Men: Black Women’s Studies edited by Gloria T. Hull and Patricia Bell Scott and Barbara Smith? And This Bridge Called My Back: Writings by Radical Women of Color, edited by Cherrie Moraga and Gloria Anzaldua? For some reason, it all resonated for me so deeply.
Here’s part of The Bridge Poem by Donna Kate Rushin that still sticks in my brain when a whole lot of other stuff I learned in college is long gone: